NORMAN LINDSAY
@ ODANA

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NORMAN LINDSAY ORIGINAL DRAWINGS

During Norman Lindsay's long creative life he produced works in many media but it is his drawings that most reflect his versatility. He worked in pencil, pen and ink, pen and ink and pencil and wash. Norman did small drawings that often were the preliminaries of major paintings, he did finished pen and ink works that are part of Australia's history (such as the Bulletin cartoons), he did many drawings just for fun like his animal works and he filled numerous sketchbooks with small, quick sketches just because he couldn't stop drawing. His wash drawings are often major works in themselves and
It is often said that drawing best demonstrates the strength of an artist. If this is true, Norman Lindsay had a strength beyond many.
All drawings sold by Bloomfield Galleries come with a Certificate of Authenticity. If you require any further information on these works, please don't hesitate to contact us.

PENCIL DRAWINGS FOR SALE
COSTUME DESIGN (BACK)  $400
c.1932
Pencil on paper
18.0 x 14.9 cm
Unsigned

Norman Lindsay - Costume Design (Back)
   
OFFICER'S DRESS  $450
c.1932
Pencil on paper
24.0 x 16.0 cm
Unsigned
Norman Lindsay - Officer's Dress
   
BUCCANEER SWORD HILTS  $450
c.1932
Pencil on paper
21.5 x 17.5 cm
Unsigned
Norman Lindsay - Buccaneer Sword Hilts
   
DECORATION  $700
c.1953
Pencil on paper
11.0 x 20.0 cm
Unsigned
Norman Lindsay - Decoration
   
HOMAGE TO BALZAC - STUDY FOR THE OIL PAINTING  $700
1941
Pencil on paper
21.9 x 14.9 cm
Unsigned
Reproduced: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.152).
Norman Lindsay - Homage to Balzac - Study for the oil painting
The original oil painting is in the University of Melbourne Art Collection. Reproduced: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.151).

   
BOARDED – PRELIMINARY STUDY FOR THE WATERCOLOUR  $1,100
1954
Pencil on paper
17.9 x 13.8 cm
Unsigned
Norman Lindsay - Boarded - Preliminary Study for the watercolfour
The original watercolour was presented to the Royal North Shore Hospital by Rose Lindsay and is currently on loan to the Norman Lindsay Gallery and Museum. Reproduced: Norman Lindsay: Watercolours 1889-1969 (Odana Editions, 2006, p.273).

Norman Lindsay - Boarded

   
CRESWICK GOLDFIELDS  $1,250
c.1895
Pencil on paper
16.5 x 26.5 cm
Unsigned

This drawing is one of a number Norman did when he roamed through the Creswick goldfields. Many have been destroyed over the years and only a few remain.
Norman Lindsay - Creswick Goldfields
   
FILIBUSTERS' HEAVEN – PRELIMINARY STUDY FOR THE WATERCOLOUR  $2,400
1939
Pencil on paper
21.8 x 15.9 cm
Unsigned
Norman Lindsay - Filibusters' Heaven - Preliminary Study for the watercolour
The original watercolour is in a private collection. Reproduced: Norman Lindsay: Watercolours 1889-1969 (Odana Editions, 2006, p.229).

Norman Lindsay - Filibusters' Heave

   
STUDY - KNEELING MODEL  $2,800
c.1932
Pencil on paper
24.8 x 33.8 cm
Initialled lower right
Norman Lindsay - Study - Kneeling Model
   
THE BEADED BELT  $3,200
c.1939
Pencil on paper
24.0 x 29.0 cm
Unsigned
Norman Lindsay - The Beaded Belt
   
UNDER THE STARS – STUDY FOR THE ETCHING  $3,800
1938
Pencil on paper
41.5 x 32.6 cm
Unsigned
Norman Lindsay - Study for the etching
Reproduced: Norman Lindsay Etchings: Catalogue Raisonne (Odana Editions and Josef Lebovic Gallery, 2006, cat.366).

Norman Lindsay - Under the Stars

   
SUMMERTIME  $4,300
c.1928
Pencil on paper
26.0 x 19.7 cm
Unsigned

Norman Lindsay - Summertime
   
MEDITATION  $4,600 (black mount)
c.1940
Pencil on paper
19.6 x 15.5 cm
Unsigned

Norman Lindsay - Meditation
   
THE RETURN  $5,500
c.1946
Pencil on paper
32.0 x 22.8 cm
Unsigned
Norman Lindsay - The Return
   
BETWEEN TWO WORLDS  $5,750
c.1925
Pencil on paper
43.8 x 55.8 cm
Unsigned

Between Two Worlds is a major pencil drawing of great importance. It is related to the watercolour Unknown Seas in the Norman Lindsay Gallery and Museum, Springwood. Unknown Seas is one watercolour which Rose took to America in 1940 and was fortunately not burnt. Luckily Rose had not taken this drawing to the US as well. Note the similarities of the horses, the rider and the faces on the models.
Norman Lindsay - Between Two Worlds
   
THE WELCOME  $5,750
c.1936
Pencil on paper
41.0 x 32.0 cm
Unsigned

Norman Lindsay - The Welcome
   
NUDE STUDY  $6,500
c.1938
Pencil on paper
54.0 x 33.0 cm
Unsigned
Norman Lindsay - Nude Study c.1938
   
YVONNE  $6,500 framed
c.1938
Pencil on paper
33.8 x 13.8 cm
Initialled lower right
Norman Lindsay - Yvonne
   
COURTING - STUDY FOR THE WATERCOLOUR  $7,000
1930
Pencil on paper
51.0 x 37.0 cm
Unsigned

This drawing has a cigarette burn (probably Norman's!!) to the lower left hand side of the drawing.
Norman Lindsay - Courting - Study for the watercolour
The original watercolour is in private hands. Norman Lindsay - Courting
   
ENCOUNTER  $7,500 framed
c.1934
Pencil on paper
22.8 x 18.9 cm
Signed lower right

Norman Lindsay - Encounter
   
FLIRTATION - STUDY FOR THE WATERCOLOUR  $7,500
1930
Pencil on paper
34.8 x 43.8 cm
Unsigned

Flirtation - Study for the watercolour
The original watercolour is in private hands. Norman Lindsay - Flirtation
   
NUDE  $7,500
c.1936
Pencil on paper
60.0 x 27.0 cm
Unsigned
   
OLYMPUS - STUDY FOR THE WATERCOLOUR  $7,500
1934
Pencil on paper
46.0 x 42.3 cm
Unsigned

Norman Lindsay - Study for the watercolour
The original watercolour is in the collection of the Art Gallery of New South Wales. Reproduced: Norman Lindsay: Watercolours 1889-1969 (Odana Editions, 2006, p.193). Norman Lindsay - Olympus
   
STUDY FOR AN OIL PAINTING  $7,800
c.1932
Pencil on paper
26.8 x 31.0 cm
Unsigned
Norman Lindsay - Study for an oil painting
   
THE ART OF DRESS - STUDY FOR THE WASH DRAWING  $9,000
c.1943
Pencil and pen and ink on paper
34.0 x 35.5 cm
Unsigned
Reference: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.188).

As you can see, Norman drew grid marks on this drawing intending them to assist when scaling the wash drawing.





Norman Lindsay - The Art of Dress - Study for the wash drawing

Arm Studies (verso)
c.1943
Pencil on paper
32.0 x 29.0 cm
Unsigned

Norman Lindsay - Arm Studies (verso)

Reproduced: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.188). The original wash drawing is in private hands.

Norman Lindsay - The Art of Dress

   

SUMMER REVERIE - STUDY FOR THE OIL PAINTING  $9,000 framed
1938
Pencil on paper
36.0 x 26.0 cm
Unsigned
Reference: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.96).

Norman drew many studies for his watercolour and oil paintings but few remain. This drawing is for the figure on the right, holding the apple.


Norman Lindsay - Summer Reverie - Study for the oil painting
Reproduced: Norman Lindsay: Oil Paintings 1889-1969 (Odana Editions, 2006, p.96). The original oil painting in private hands. Norman Lindsay - Summer Reverie
   
MAJOR STUDY FOR A PAINTING  $12,000
c.1930
Pencil on paper
50.0 x 49.0 cm
Unsigned
Norman Lindsay - Major Study for a painting
   
THE SINKING GALLEON - STUDY FOR THE WATERCOLOUR  $12,000
c.1925
Pencil on paper
61.0 x 43.0 cm
Unsigned

Norman painted only a few underwater scenes and this drawing, depicting a galleon descending into the depth of the ocean, shows a group of curious sirens trying to rescue a drowned sailor while others rise to explore the galleon.
The Sinking Galleon - Study for the watercolour
The major pencil drawing The Sinking Galleon is an important study for both an oil and watercolour of the same subject and title. The whereabouts of the oil painting is unknown but the 1925 watercolour is in private hands. Norman Lindsay - The Sinking Galleon
   
ESTELLE  $13,500 framed
c.1942
Pencil on paper
75.0 x 39.0 cm
Initialled lower right
Norman Lindsay - Estelle
   

CRETE - MAJOR STUDY OF RITA FOR THE OIL PAINTING  $15,000
1940
Pencil on paper
60.0 x 37.0 cm
Unsigned

Inspired by reading a book on Crete, Norman worked out a composition for an oil painting and decided to have Rita pose for the central figure. She stayed at Springwood as a house guest while it was painted. Amber Kraljevich is the blonde girl next to the bull and Pearl Schweig the brunette next to her. Harry Lee, Rita's twelve-year-old brother, is the young boy next to the central figure of Rita. Jane Lindsay posed for the back view figure and Norman used his own face in a mirror for the dark haired male. Rita posed for a number of other women in Crete as well as the central figure.

Norman Lindsay - Crete - Study of Rita for the oil paintings
Crete is referenced and reproduced in Norman Lindsay: Oil Paintings 1889–1969 (Odana Editions, 2005, p.138). The original oil painting is in the University of Melbourne Art Collection. Norman Lindsay - Crete
   
PIRACY - MAJOR STUDY FOR THE WATERCOLOUR  $16,000
1927
Pencil on paper
52.0 x 45.0 cm
Unsigned
Norman Lindsay: Watercolours 1897-1969 (Odana Editions, 2003, p.126)

The pencil drawing is reproduced in the Norman Lindsay: 80 Years of Pencil Drawing (Odana Editions, 2008, p.265) and Norman Lindsay: Watercolours 1897-1969 (Odana Editions, 2003, p.126).
Norman Lindsay - Piracy - Major Study for the watercolour
The original watercolour's whereabouts is unknown. Norman Lindsay - Piracy
   
NEPTUNE'S DAUGHTER - MAJOR STUDY FOR THE OIL PAINTING  $28,000
c.1945
Pencil on paper
62.5 x 49.0 cm
Signed lower left

The pencil study Neptune's Daughter is a major drawing by Norman. It is fully finished and fully signed which is always an indication that Norman himself considered the work to be important. The oil painting of the same subject and title was sold by us in the 1970s and both the drawing and oil painting reflect Norman's superior technique in each medium. Lin's personal preference is for the pencil drawing as she feels it is an excellent example of Norman's skill.
The original oil painting is in private hands.
Norman Lindsay - Neptune's Daughter - Major Study for the oil painting
Pen and Ink Drawings for sale
THE CITY MAN AND THE BOOKMAKER  $6,400
Unknown
Pen and ink on paper
27.0 x 8.7 cm
Signed lower right

The upper drawing has the inscription:
The City Man, who only goes for the fun of the thing, but manages to loose a bit just the same.
The lower drawing has the inscription:
The Bookmaker, who goes out to let the public win his money, of course.
This drawing has been restored. On the lower right hand side, the paper has been cut away but it has been laid down on archival paper under restoration.
Norman Lindsay - The City Man and the Bookmaker
   
LIVERY STABLEMAN AND SARDONIC PATRON  $7,500 framed
Date unknown
Pen and ink on paper
29.5 x 25.8 cm
Signed lower centre

Norman worked at the Bulletin for a period of fifty years and for most of that time he produced a cartoon for publication in each week's edition. This is an original pen and ink of a Bulletin cartoon and the handwritten caption reads:
Livery Stableman
Well, I must say, you 'ave been driving the 'orse a treat. You've regular knocked 'im up.
Sardonic Patron
Well, you see, I drove to my Aunt's funeral, and I had to keep up with the hearse, for decency's sake.

This inscription is hand written in pen and ink below the image and can be seen in the mount.
Norman Lindsay - Livery Stableman and Sardonic Patron
   
THE BALLAD OF CIRCULAR QUAY - MAJOR STUDY FOR THE WATERCOLOUR  $14,000
1948
Pen and ink and pencil on paper
47.0 x 46.0 cm
Unsigned

Norman spent a lot of time at Circular Quay when he was based at his Bridge Street studio and was fascinated by the people who frequented the area. The pencil drawing is reproduced in Norman Lindsay: Watercolours 1897-1969 (Odana Editions, 2003, p.264).
Norman Lindsay - The Ballad of Circular Quay - Major Study for the watercolour
The original watercolour is in private hands. Norman Lindsay - The Ballad of Circular Quay